Performance Review

  Lee Lessack

Too Marvellous For Words - The Songs of Johnny Mercer

 

  Pizza On The Park, London - July 2002
   

Lee Lessack presented two contrasting sets at his debut in Larry’s Music Room at Pizza on The Park. The main set  was’Too Marvellous for Words, a celebration of  Johnny Mercer songs that’s has also been recorded and released on CD. This was a finely-crafted set with well-chosen material interspaced with informative and intelligent patter that gave insight into both the songs and the genius that was Johnny Mercer. 

Playing a large pert in the process was John Boswell – who not only provided accompaniment in the piano but also acted as musical director and arranger producing many stunning arrangements that provided an emotional under-pinning to the songs themselves.

 On the surface this appeared to one of those sophisticated and highly professional acts that Americans seem to do so well – but this would belie the sheer amount of work that must have gone into compiling the evening .As a prolific songwriter (with more than 1,000 compositions to his credit Mercer certainly provided more than enough material to select from). The mix included wonderfully romantic ballads and some rarely heard comic numbers that together provided a wonderful sampler of Mercer’s incredibly versatile talent as a lyricist. In order to include as many songs as possible some were included into inventive medleys

 A particularly impressive example was the combination of ‘Days of Wine and Roses’;  ‘Charade’ and ‘Moon River’.  During the first two number there were musical underscores to suggest ‘Moon River’ was on its way and when it finally arrived it was gorgeous and rescued from the middle of the road mire it had been  left to languish in of late. 

In complete contrast were the ‘comic numbers’ on which Lessack accompanied himself on a form of Ukulele – a ‘fluke’ as it was called these included ‘Pineapple Pete and ‘The Bath Tub Ran Over again’ The emotional balance of the evening was redressed with a very touching ‘Whistling Away The Dark’ joined with ‘Autumn Leaves’ once again underscored by the evocative underscoring provided by John Boswell. 

Although seeming at little uneasy to begin with Lessack soon started to relax as he gained confidence supported by the quality of the material and his musical director as he combined the various different elements of the evening into a satisfying and entertaining whole.

 

 

   

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